Nobody is Dead,Yet is a multidisciplinary art project that uses satirical branding, product design, and character performance to explore the commodification of identity, health, and feminine empowerment under late capitalism. Set in the fictional commercial universes of Waystar-Joyco the project features a growing cast of characters—each one connected through fake pharmaceuticals, snack foods, cosmetics, and paraphernalia that parody modern-day wellness culture, trauma branding, and the commodification of feminism

These personas—including figures like Sharon McAfee, a wine-mom turned MAGA insurrectionist—navigate a surreal world where diet culture, empowerment slogans, neurodivergence, and influencer aesthetics are fused into mass-produced emotional consumption. Through their stories and product lines, Nobody is Dead, Yet explores how marketing co-opts language of healing, self-knowledge, and rebellion for profit and power.

The project blends traditional illustration, satyrical product design, video performance, photography, and installation into an immersive, fictional ecosystem. It functions both as media criticism and personal catharsis—a consumer therapy mirror held up to millennial exhaustion, cultural contradiction, and social-media-driven identity performance.